Film Profile
Mandeep is a director and camera person who has worked on films for the BBC, ITV and Channel 4 as well as promos for a range of organisations.
The broadcast programmes have been about the arts, architecture and current affairs. She has also made campaigning and advertising films for international charities in some of the most troubled parts of the world such as Rwanda, Bosnia, Kosovo and Palestine. Some the organisations Mandeep has worked for include Oxfam, UNICEF, UNHCR, Save the Children, Anthony Nolan Trust, MIND, Rethink and the Arts Council. Corporate clients have included Wavv Rapp Collins, Live Brand and Savoir Beds.
Reviews
Channel Five's 'Mad for Arts' series about people with severe mental health issues and their response to particular works of art were pick of the day in every broadsheet. They were described by John Snow as being "stunning insights into mental illness that were sumptuously directed" in the Evening Standard.
The Community Channels documentary about a 12 year old girl in desperate need of a bone marrow transplant receive pick of the week in the Observer.
The broadcast programmes have been about the arts, architecture and current affairs. She has also made campaigning and advertising films for international charities in some of the most troubled parts of the world such as Rwanda, Bosnia, Kosovo and Palestine. Some the organisations Mandeep has worked for include Oxfam, UNICEF, UNHCR, Save the Children, Anthony Nolan Trust, MIND, Rethink and the Arts Council. Corporate clients have included Wavv Rapp Collins, Live Brand and Savoir Beds.
Reviews
Channel Five's 'Mad for Arts' series about people with severe mental health issues and their response to particular works of art were pick of the day in every broadsheet. They were described by John Snow as being "stunning insights into mental illness that were sumptuously directed" in the Evening Standard.
The Community Channels documentary about a 12 year old girl in desperate need of a bone marrow transplant receive pick of the week in the Observer.